When the age of the Great One is come, make ye a joyous light." -an inscription on the dais to the Chak’sa, written in the a lost dialect of the thri-kreen
(cited from page 80 of The Road of Fire adventure book, from the Dragon’s Crown sage)
Professor Zik-Chil is most apt: the subject of the Great One is perhaps one of Athas’ greatest mysteries. Dependent upon interpretation, the Great One could be one of the most fundamental personages in Athasian history, and its origins, life, and eventual fate could be instrumental to the history of the world.
We know precious little. The Great One is first referenced in the Dragon’s Crown mega-adventure, in the above citation. In my opinion, Dragon’s Crown is one of the crowning achievements of early Dark Sun, and I much applaud Richard Baker III’s efforts here. I suspect Baker, one of the original core designers of Dark Sun, is the conceptual source of the “Great One,” or else he was the one to put his official stamp on it. It would be easiest and best to ask him.
As we all know, the Great One received more detailed and thoughtful treatment in the Thri-Kreen of Athas supplement by Tim Beach and Dori Hein. I do much admire this work as well, and for many reasons, but I would note that their conceptual adornments to the Great One were secondary, and an acretion to the mystery of Baker’s original concept. Still, Beach and Hein’s comments on the Great One, or Chak’sa as they have it, have fascinated us. For Beach and Hein, they are definitive in their explanation:
“…the Head is a representation of an actual great kreen who lived thousands of years ago; this kreen also worked with an avangion, and the two memories have become inseparable over thousands of years.” -T-KoA, p. 60
There is however an issue with this. In Baker’s earlier and again original description of the Great One statue, we have this detail which is missing from Beach and Hein, despite their extensive treatment of the Chak’sa site:
“But there is one surprise: the rear of the head is carved into a human face. The image is that of a bald man, with golden eyes. The face looks uncannily like Korgunard.” (p. 80, RoF, DC)
Beach and Hein completely ignore this detail, as it contradicts their revamped version of the Chak’sa sitr. This indicates that the statue is not a monument to an actual living ruler, but perhaps is indicative of a prophecied ruler, Korgunard, the future lower level avangion, who was foreseen as rising to 30th level one day as the “Great One.” The human face indicates the backfacing human origins of that which would appear to be kreen-like in the future.
In Dragon Crown, we are obviously meant to compare the statue to the fully metamorphosed 30th level avangion, and see the comparison. Now how and why a thri-kreen prophet would have foreseen the avangion, or much less Korgunard, is a matter of speculation.
I would argue that if you are of an originalist leaning, the Chak’sa was originally a statue of something prophecied to come, and not an actual being from that time. It was Beach and Hein who ignored the humanish face of Korgunard in the Chak’sa, and it is they who were the origin of the concepted of the paired avangion and kreen ruler from thousands of years in the past.
I would offer that the original statue, with the glittering eyes and prophecy of the Great One to come, is a statue made of something like religious devotion, created as a manifestation of belief for a golden age to come.
I will conclude that for Baker, Dark Sun remains a cruel setting. Though Korgunard was thoughtfully developed over multiple adventures, and he is a manifestation of heroism and hope for a world restored, he is nonetheless cruelly betrayed and slain in Dragon Crown. The great saga of Korgunard comes to an end, and if the Chak’sa was a prophecy of the Great One to come, complete with a humanoid face resembling Korgunard specifically, then Korgunard’s death is a prophecy denied. Though strong, the cords of fate are not invincible, and the cruelty of Athas has cut Korgunard’s fate short. Baker writes that the Great One is denied, the coming of the Avangion is denied, and the world remains fallen and dark, though defiant heroes yet fight on to fates unknown.